My love for The Arcade Fire began with this 2004 article in a small city magazine published by the Missouri J-School, which I was attending at the time.
The article, published November 25 was promoting a show the band was going to play the following week in Columbia, Mo.
The last quote in the article was from front-man and lyricist Win Butler, who was describing the live experience.
It is just so unpredictable. If you come thinking you’ll get one thing, then there will be people with their arms folded. Come with an open mind, and you’ll get an experience.
I was intrigued. The promise of an experience, combined with Butler’s idea of an ideal band (Marlon Brando on drums, Cap’n Crunch on the congos, Peter Frampton on guitar, early Salt-N-Pepa doing a dance scene with The Fly Girls, and Roy Orbison as the vocalist) sold me on the show.
That’s how I decided go see a band called The Arcade Fire play MoJo’s in Columbia, Missouri on November 30, 2004.
Today (March 6, 2007), the band released their second album, “Neon Bible,” a wonderful and grandiose piece of music. I will not talk about that record (others have done a much better job) but I will use this opportunity for a little reflection.
In November 2004, The Arcade Fire sold out MoJo’s, which fits about 300 people. Today they sell out huge concert halls and stadiums within minutes. The buzz about them had started in 2004, but if you were not paying attention to music festivals such as CMJ, they weren’t anywhere near the radio, MTV or Rolling Stone. They were so small, in fact, that they were interviewed for that story I read in Vox Magazine. Today they grace four pages in the New York Times Magazine or the New Yorker.
I paid $8 to get into that show and I left sweaty and elated. The opening bands had dragged on too long and I was getting tired. But when the Arcade Fire came on to unleash a torrent of energy on a convoluted array of instruments from violins to motorcycle helmets, I was hooked. Instruments were being tossed in the air, band members were drumming on each other’s heads or the ceiling, and the crowd was ecstatic. Today, you hear people referring to an Arcade Fire concert experience as “cathartic.” I know where that’s coming from. (I couldn’t find pictures of that show, but here’s some from another gig on that fall 2004 tour)
I’m still debating whether I should go try to go see them at Glastonbury this summer. I love their music just as much as I did after I gave “Funeral” its first spin. But I know that the intimacy of that night in Missouri is unique–so unique that I don’t want to layer other memories on top of it.
Update (a little later in the day): If you’re curious how the Arcade Fire sounded live back in 2004, check out this recording from their Boston show.
PS: Remembering your musical past is fun–I recently reviewed a book that does just that (yes, it’s about how indie rock saved John Sellers’ life).